3333 Camp Bowie Boulevard
Fort Worth, TX 76107
MAJOR SUPPORT PROVIDED BY
ADDITIONAL SUPPORT PROVIDED BY
William Campbell Contemporary Art
HD Liquid Catering
THE CASABLANCA
Essl and Associates
Frank and Katie Darden / Cara Darden
Trenton Laird - The Construction Group LLC
THE MARRAKESH
Regan and W.A. Landreth
Corbett Companies
Denver Mead
Ally and Davis Ravnaas
Olive and W. Hulsey Smith
Neel, Sonya and Amar Tanna / John McMillen
THE TANGIER
Lisa and Peter Alcorn • Dr. R. Nelson Beville III
Lynsey Blair and Luther Shilling • Kim and Glenn Darden • Lisa Fortson
Rhonda and David Freel • Kristi and Herndon Hasty
Irsaneous Interiors • Mason King • The Northern Trust Company
Patterson Law Group • Dr. Stephen Perry and Mrs. Stephanie Daulton Perry
Hannah and Kevin Ryon • Marisa and Bruce Selkirk
Anastasia and Robert Shelton • Varghese Summersett, PLLC
Ben and Lizzie Voigt • Lauren and Hood Whitson
David Wynne • Whitney and John Wynne
THE FEZ
Lorene S. Agather • Emily and Ford Braly • Miles Bratton • Elizabeth and Chad Brookshire • Christopher Burton • David Burton • Michael Burton • Charlie Caulkins, Sotheby's • Karen Fortson Davis • Lord Harrington and Lady Harrington • HOLLAND Collective • The Jacobs Family • John L. Ashe • William Hamilton Kirtley Jr. • Toni and Will Leavitt • Mallory and Palmer Lummis • Ellen and Ben Pevoto • Dillon Jett Smith • Jason and Christy Smith • Lauren and C.B. Team IV • Allie and Walker Turney • Sadie and Slade Upham • Garrett Vogel
RENOIR: THE BODY, THE SENSES
On view October 27, 2019–January 26, 2020
Over the course of his long career, Pierre-Auguste Renoir continually turned to the human figure for artistic inspiration. The body—particularly the nude—was the defining subject of Renoir’s artistic practice from his early days as a student copying the old masters in the Louvre to the early twentieth century, when his revolutionary style of painting inspired the masters of modernism. In recognition of the centenary of Renoir’s death, the Clark Art Institute and Kimbell Art Museum present Renoir: The Body, The Senses. This daring exhibition is the first major exploration of Renoir’s unceasing interest in the human form, and it reconsiders Renoir as a constantly evolving artist whose style moved from Realism into luminous Impressionism, culminating in the modern classicism of his last decades.
CO-CHAIRS
Lisa Alcorn • Hannah Ryon Davis • Whitney Wynne
HOST COMMITTEE
Lorene S. Agather • Peter Alcorn • Susanna and Harper Bartolomei • Sasha C. Bass • Dr. R. Nelson Beville III • Emily and Ford Braly • Lauren and Cole Bredthauer • Elizabeth and Chad Brookshire • Christopher Burton • Michael Burton • Cara Darden • Katie and Frank Darden • Catherine and Todd Davenport • Paul Davis • Asad Dean • Jenny and Rob Dupree • Jessica and Garett Essl • Amy and Shelby Fierke • Kristi and Herndon Hasty • William Kirtley Jr • Regan and W.A. Landreth • Toni and William Leavitt • Mallory and Palmer Lummis • Kristin and Bailey McGuire • Denver Mead • Lisa and Ryan Moore • Samantha and J. C. Pace III • Stephanie and Stephen Perry • Ellen and Ben Pevoto • Ally and Davis Ravnaas • Kevin Ryon • Marisa and Bruce Selkirk • Neel Tanna • Sonya and Amar Tanna • Lauren and C.B. Team IV • Allie and Walker Turney • Anna and Benson Varghese • Lizzie and Ben Voigt • Morgan and Thomas West • Lauren and Hood Whitson • Thea Wilson • David Wynne • John Wynne